The Blitzstar Guitar Instructional Series currently contains the following posts, which are intended to be read in order:
- Introduction
- The Major Scale
- Triads and Chord Formulas
- Power Chords
- Seventh Chords
- Harmonizing the Major Scale I: Triads
- Harmonizing the Major Scale II: Seventh Chords
- The Minor Scale I: The Relative Approach
- The Minor Scale II: The Parallel Approach
- Harmonizing the Minor Scale
- 12-Bar Blues I: Basic Elements
- Sixth Chords
- Suspended Chords
- Add9 and 6/9 Chords
- Pentatonic Scales I: Major Pentatonic Scales
- Pentatonic Scales II: Minor Pentatonic Scales
- Pentatonic Scales III: Relative Scales and Box Patterns
- Blues Scales I: Major Blues Scales
- Blues Scales II: Minor Blues Scales and Blues Box Patterns
- Key Centers and the Cycle of Dominants
- Key Center Soloing I: Major Key Chord Progressions
- Key Center Soloing II: Minor Key Chord Progressions
- Key Center Soloing III: Identifying the Major Key Centers
- Key Center Soloing IV: Identifying the Minor Key Centers
- Chord Inversions I: Triads
- Chord Inversions II: Seventh Chords
- Intervals I: Diatonic Intervals
- Intervals II: Altered Intervals
- Intervals III: Inverted Intervals
- Modes of the Major Scale I: The Relative Approach
- Modes of the Major Scale II: The Parallel Approach
- Modes of the Major Scale III: Soloing
- Chord Construction I: Triads
- Chord Construction II: Seventh Chords
- The Dominant Seventh Chord
- Arpeggios I: Triads
- Arpeggios II: Seventh Chords
- Extended Chords I: Ninth Chords
- Extended Chords II: Eleventh Chords
- Extended Chords III: Thirteenth Chords
- 12-Bar Blues II: Chord Substitution and Minor Blues Harmony
- Arpgeggios III: Ninth Chords
- Arpeggios IV: Eleventh Chords
- Arpeggios V: Thirteenth Chords
- The Chromatic Scale
- The Harmonic Minor Scale
- Harmonizing the Harmonic Minor Scale I: Triads
- Harmonizing the Harmonic Minor Scale II: Seventh Chords
- The Leading Tone
- The Diminished Seventh Chord
- Altered Dominant Chords I: Single Alterations
- Altered Dominant Chords II: Combined Alterations
- Altered Major and Minor Chords
- Modes of the Harmonic Minor Scale I: The Relative Approach
- Modes of the Harmonic Minor Scale II: The Parallel Approach
- Modes of the Harmonic Minor Scale III: Soloing
- Creating Chord Voicings I: Sixth, Ninth and Altered Ninth Chords
- Creating Chord Voicings II: Chords with Altered Fifths
- Creating Chord Voicings III: Eleventh and Thirteenth Chords
- Diatonic Double Stops
- The Melodic Minor Scale
- Harmonizing the Melodic Minor Scale I: Triads
- Harmonizing the Melodic Minor Scale II: Seventh Chords
- Cadences
- Non-diatonic Chord Substitution and Passing Chords
- Modes of the Melodic Minor Scale I: The Relative Approach
- Modes of the Melodic Minor Scale II: The Parallel Approach
- Modes of the Melodic Minor Scale III: Soloing
- Hybrid Tonalities and Common Key Variations
- Blues Hybrid Scales
- The Diminished Scale
- The Dominant Diminished Scale
- The Whole Tone Scale
- Soloing Over Altered Dominant Chords
- Diminished Seventh Arpeggios and the Hybrid Scale